Ten Buddhist Plays Transform Kannada Theatre, Celebrated in Kalaburagi

Ten Buddhist Plays Highlight Rare Contribution to Kannada Theatre

A groundbreaking body of work bringing Buddhist philosophy to Kannada theatre was celebrated on Thursday at the Rangayana auditorium in Kalaburagi. Playwright Ishwar M. Ingan’s creation of ten plays rooted in Buddhist thought was hailed as a pioneering achievement by Basavaraj Hugar, Joint Director of the Department of Kannada and Culture, Kalaburagi Division. Speaking at the inauguration of a lecture and interaction programme dedicated to these works, Hugar described Ingan’s efforts as the first of their kind in Kannada theatre.

A Blend of Philosophy and Drama

The plays, which weave historical narratives with philosophical interpretations, have been noted for their relevance to contemporary social issues. Former Director of Kalaburagi Rangayana, Prabhakar Joshi, highlighted this unique blend, while senior writer Shreeshail Nagaral praised the high literary standards achieved in the complex medium of drama. Nagaral pointed out that theatre, requiring the integration of acting, dialogue, music, dance, and stagecraft, is among the most demanding art forms.

Expanding the Reach of Progressive Theatre

Rangayana Director Sujatha Jangamashetti underscored the importance of bringing progressive plays, such as those inspired by Buddhist philosophy and Vachana literature, to wider audiences. She also commended Ingan for his efforts to nurture young theatre talent.

Inspiration Behind the Project

Sharing the origins of his work, Ingan revealed that biographies of the Buddha and stories of Buddhist women found in a Buddhist Vihara library served as his primary inspiration. His plays aim to explore and express the ideological depth of Buddhism through the dramatic arts.

A Gathering of Literary Minds

The event, jointly organised by the Department of Kannada and Culture and Rangayana, Kalaburagi, brought together a diverse group of writers, literary enthusiasts, and theatre artists, including H.T. Pote, Sidram Sindhe, M.B. Katti, Shailaja Bagewadi, and others. The presence of Rangayana repertory artistes added to the significance of the occasion.

Ingan’s contribution marks a rare and innovative intersection of philosophy and theatre, enriching Kannada dramatic literature with Buddhist thought while addressing modern societal concerns.

Source: The Hindu